- Julius Baer Next Generation Art Prize
- Payal Uttam | Vanguards & Visionaries
- Coming soon - Art x Action Film Festival Part II: On view from 1-27 December 2020
- The Business Times | Art returns with a vengeance
- Lianhe Zaobao 联合早报 | 新加坡画廊协会首办画廊周末
- The Straits Times ‘Lifestyle’| Arts Picks: Art After Dark, Mozart’s Idomeneo with the Opera People
- Happy Birthday to Sarah Choo Jing! | 29 March 2019
- Dazed and Confused Magazine | Sarah Choo Jing | March 2019
- The Jakarta Post | Audrey Yeo | 13 Feb 2019
- Buro 24/7 Singapore | Audrey Yeo | 24 Sept 2018
- The Art Newspaper | Audrey Yeo | 17 Jan 2019
- Lost and Found - Fyerool Darma | Institute of Contemporary Arts Singapore | 2 Feb to 10 Apr 2019
- Made In Paint, 2019! - Merryn Trevethan | The Sam and Adele Golden Gallery | 6 Apr 2019
- PASSPORT – OH! Open House - Mike HJ Chang | 30 Mar to 31 Mar 2019
- Phytopia - Yu-Chen Wang | Glynn Vivian Art Gallery, Swansea, United Kingdom | 16 Feb to 26 May 2019
- Side exhibition - Quynh Dong | Johann Jacobs Museum | 4 Feb to 5 May 2019
- Scripts, Traces, and the Unpredictable - Xue Mu | Pearl Lam Galleries, Shanghai, China
- Blouin Modern Painters | TOP 10 Asian Artists to Watch: Sarah Choo Jing | March 2019
- Melting! Melting! - Mike HJ Chang | Gillman Barracks | 15 March to 7 Apr 2019
- We Hesitate to Wash Ourselves in Muddy Water - Mike HJ Chang | Telok Ayer Arts Club
- prep-room - DRILLS | B-SIDES: After Ballads by Fyerool Darma | 27 February 2019
- OCULA | Yeo Workshop | August 2018
- The Sydney Morning Herald | Merryn Trevethan | August 2018
- Seine Saint Denis Tourisme | Maryanto – Java Art Energy | 27 Sept 2018 – 24 February 2019
- ASIA NOW PARIS | Accelerated Intimacy by artist Sarah Choo | 17-21 October 2018
- Asia Art Activism | Fyerool Darma, ‘Circulations’ - Flow | 4-6 October 2018
- Nusasonic | Duto Hardono | 2-13 October 2018
- Whiteboard Journal | Duto Hardono’s solo show, ‘Words’ | 24-29 September 2018
- Edel Assanti | Marcin Dudek at Manifesta 12 | 15 June to 4 November 2018
- Untitled Miami | Marcin Dudek | 5 to 10 Dec 2018
- Gordon Cheung’s Spotify Top 10 | Alan Cristea
- ColArt | Gordon Cheung | Jun 2018
- Griot | Marcin Dudek | June 2018
- How To Kill A Tree - Edward Clydesdale Thomson | Huize Frankendael, Amsterdam | 27-28 Jun & 4-5 Jul
- The Art Newspaper | Marcin Dudek | June 2018
- Wear You All Night - Sarah Choo Jing | Centre for Contemporary Arts, Scotland | 1 Jul 2018
- 250th Summer Exhibition - Gordon Cheung | Royal Academy of Arts, London | 12 Jun to 19 Aug 2018
- Giochi Senza Frontiere - Marcin Dudek | Manifesta 12 Palermo, Italy | 15 Jun to 4 Nov 2018
- We Stop to Watch the World Go By - Sarah Choo Jing | Peranakan Museum | 7pm - 20 July 2018
- Doubting Thomas - Gordon Cheung | Duddells, London | 25 Apr to 24 Sep 2018
- Commission materialized by Edward Clydesdale Thomson of a Garden, Garden Fence, The Non Urban Garden
- Psychedelic and Conceptualism, De Apple Art Center, Amsterdam, NL, 27 September - 30 November 2014
- Art In The Face of Radical Evil*, A vacation at The Air Inn Venice, Los Angeles, CA, 18 - 28 May 201

Billionaire.com: The Lion’s Share: Singapore’s Top Art Galleries and Workshops
YEO WORKSHOP
Specialty: Contemporary and conceptual artworks
Owner: Audrey Yeo
Location: Gillman Barracks, 1 Lock Road #01-01
Current exhibition: 'The Distracted Gardener and Plumbing Subverter’ by Clydesdale Thomson
With conceptual artist Pierre Huyghe and English painter Damien Hirst — “I love his butterfly paintings; that dark and poetic idea of butterflies being attracted to bright wet paint and then getting stuck there to their death” — listed as some of Audrey Yeo’s favourite artists, it’s clear that her workshop, located in the government-sponsored art district of Gillman Barracks, is a bit left of the middle.
A gallery director in London for three years and having worked in two New York photography galleries before that, Yeo wanted to challenge the traditional gallery model when she started her workshop. “It was crucial for me as a young gallerist to not ignore what was going on in the art world in terms of re-engaging the spectators and community, and re-programming the gallery space,” she explains. “I wanted to do more than exhibit work for sale.” As such, Yeo tends to exhibit work with a strong conceptual movement, but still constructed with a deep respect for craftsmanship.
But what really sets her workshop aside is her arts club. “The Arnoldi Arts Club is actually a main focus for the gallery,” reveals Yeo excitedly. “It's arts education via some very cutting-edge, sensational international academicians, artists and curators in the gallery space, to give people understanding of the history, markets and production techniques of the contemporary art world. All the tools needed for looking at and understanding contemporary art.”