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Ng Joon Kiat

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Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021 Image courtesy of Nuhayd Naufal
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Open a larger version of the following image in a popup: Ng Joon Kiat, Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021

Ng Joon Kiat

Painting techniques on the go: observations from internet sites and physical sites. Screw those stupid white frames along the way. Series 3, 2021
Screws, board, watercolour, paper, white frame.
28 x 36 x 32 cm
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Further images

  • (View a larger image of thumbnail 1 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 2 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 3 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 4 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 5 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 6 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 7 ) Ng Joon Kiat, White Noise, 2017
  • (View a larger image of thumbnail 8 ) Ng Joon Kiat, White Noise, 2017
Communiqué de presse de Ng Joon Kiat, Les mers sont toutes partagées 'Through the internet passport, I engage in mental and physical travels. I do what I know how to...
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Communiqué de presse de Ng Joon Kiat, Les mers sont toutes partagées

"Through the internet passport, I engage in mental and physical travels. I do what I know how to best, that is to paint. I explored the idea of painting on-site through internet sites and physical sites with the intention of shaping a painting practice in mental exile. This included visiting traveller-friendly spaces like hotels; popular internet sites that shape social influences; property developments; news sites; as well as devising on-site watercolour painting techniques to capture the fleeing moments in an information-overloaded Internet country. Essentially, I’m questioning how to shape a consciousness of an Internet identity in these painting. Might as well screw those stupid white frames along the way, goodbye zombie formalism." - Ng Joon Kiat
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Exhibitions

Ng Joon Kiat: The Seas are All Shared, Asia Now Paris Asian Art Fair 2024, 17 – 20 October 2024, Monnaie de Paris, Paris, France
The Not Singapore Art Project: Migration to the Internet Country and Portable Identity. Some paintings at play: a flash solo by NG Joon Kiat, 18 May – 16 June 2024, Yeo Workshop, Singapore
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