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Santi Wangchuan, Weaving of Memorable Space (No.2), 2017 -
Sarah Choo Jing, Accelerated Intimacy (Brenda Lim), 2018
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Wei Leng Tay, Live streaming, Prince Edward, 12/11/2019, 23:35:05-6. 25 frames per second, 1920x1080. , 2019
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Brandon Tay, Language as Time’s Shadow: A Brief History of Synchrocognition, 2023
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Citra Sasmita, Ghost of Paradise, 2022
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Filippo Sciascia, Lux Lumina, 2016
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Fyerool Darma, Poietics of Pantun/pantoum/tuntun/tanaga ... (featuring berukera, b*ntang786, ToNewEntities, Fleur, AI AI Den and Lé Luhur from Autaspace), 2021 - 2023
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Geraldine Lim, The Fly, 2023
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Maryanto, Anthropogenic, 2019
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Ng Joon Kiat, Painting Vocabulary: 3, 2018
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Noor Mahnun Anum, I Think, 2024
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Santi Wangchuan, Free Form Weaving No. 2, 2011
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Sarah Choo Jing, Accelerated Intimacy (Veronica Foo), 2018
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Shayne Phua, Doppel Spade, 2023
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Wei Leng Tay, And this is the lady and her pond, 2015 - 2018
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Brandon Tay, Model A: Adversaries, 2023
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Citra Sasmita, Timur Merah Project VIII: Pilgrim, How You Journey, 2022
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Filippo Sciascia, Machine Learning, 2020
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Fyerool Darma, Screenshot 29-12-2022 at 22:22 AM (siu dai UHD) featuring Lé Luhur and LKS, 2022
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Geraldine Lim, Do I Enjoy My Symptoms? #2, 2020
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Maryanto, Larung Bertaut (made with the support of traditional Thai weavers from the family of artist Santi Wangchuan from Ubon Ratchathani, Thailand), 2020
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Ng Joon Kiat, Patchwork Identity 1, 2021
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Santi Wangchuan, Buddha Footprint, 2016
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Sarah Choo Jing, The Hidden Dimension, 2013
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Shayne Phua, You BTO already?, 2024
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Wei Leng Tay, Students, Queen's Road Central, 2003. Kodak E100VS slide film, 135mm., 2020
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Brandon Tay, Death Spiral, 2021
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Filippo Sciascia, Lux Lumina Cave, 2018
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Fyerool Darma, The Poseur (After Ballads), 2019
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #119, 2021
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Maryanto, Kawah Sikidang Dieng / Sikidang Creater Dieng, 2020
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Ng Joon Kiat, White Noise, 2017
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Noor Mahnun Anum, OJ, 2024
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Santi Wangchuan, E-San Weaving, 2015
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Sarah Choo Jing, Wear you all Night, 2018
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Shayne Phua, Padma Malayan, 2021
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Wei Leng Tay, I was a different type of man back then, 2015-2016
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Filippo Sciascia, Lumina Clorofilliana, 2018
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Geraldine Lim, Untitled #5 (Fetus), 2022
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Maryanto, Palm oil in daily life, 2023
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Noor Mahnun Anum, Ananas, 2024
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Wei Leng Tay, The Other Shore | 彼岸, 2014-2016
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Citra Sasmita, Timur Merah Project VII: Garden of Earthly Delights, 2021
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Filippo Sciascia, Clorofilliana, 2020
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #127, 2021
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Maryanto, lereng Gede biosphere (The Biosphere of Mount Gede), 2023
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Noor Mahnun Anum, tea, 2024
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Wei Leng Tay, Missing sign, Kai Yuen Lane, date unknown. Fujifilm RVP100F slide film (Kodak E100VS slide film discontinued), 120mm., 2019
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Citra Sasmita, Peculiar Garden, 2022
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Filippo Sciascia, Crescita Tecno Organica, 2020
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #138, 2020
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Maryanto, Palm Oil District, 2023
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Noor Mahnun Anum, penang tiles viii, 2023
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Wei Leng Tay, Untitled (Pakistan. China), 2017-2019
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #140, 2022
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Noor Mahnun Anum, aureolin m, 2021
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #143, 2022
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Noor Mahnun Anum, Penang tiles xii, 2023
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #149, 2022
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Noor Mahnun Anum, wow #1, 2021
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #154, 2022
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Noor Mahnun Anum, blue sky ii, 2021
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #159, 2022
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Noor Mahnun Anum, Penang tiles xiii, 2023
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Geraldine Lim, I meet her at a place we always go to (a drawing journal) #167, 2022
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Noor Mahnun Anum, wow #2, 2021
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