Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Open a larger version of the following image in a popup:
Image courtesy of the Artist
Image courtesy of the Artist
Brandon Tay
DOOMSCROLL DREAMACHINE, 2025
UV-printed canvas with aluminum finials, painted 3D-printed steel sculpture with volumetric LED fans, 4-channel generative soundtrack
Canvas: 1100 × 2050 mm
Finials: 180 × 230 × 280 mm each
Sculpture: 450 × 770 × 450 mm
Finials: 180 × 230 × 280 mm each
Sculpture: 450 × 770 × 450 mm
Copyright The Artist
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
DOOMSCROLL DREAMACHINE reframes Gysin’s flicker device through the compulsions of infinite scroll. Projected feeds entrain vision into flicker-states, turning doomscrolling into altered-state technology. A UV-printed canvas, mounted as scroll with...
DOOMSCROLL DREAMACHINE reframes Gysin’s flicker device through the compulsions of infinite scroll. Projected feeds entrain vision into flicker-states, turning doomscrolling into altered-state technology. A UV-printed canvas, mounted as scroll with aluminum finials, operates as speculative timeline: cut-up and fold-in logics bleeding through broadcast, network, and algorithm until they crystallize as the present entrainment loop. The format recalls the suspended banner, collapsing media archaeology into patterned surface. A soundtrack of pulses and distorted traces of online audio carries the signal further, oscillating between overload and drift. Screen, canvas, and sound align as a ritual protocol—rendering doomscrolling not simply pathology, but an involuntary dream-machine, where text, image, and frequency conspire to rewrite perception.
Mostre
Liste Art Fair Basel 2026, Basel, 15-21 June 2026.FRIEND, National Communication Museum, Melbourne, 01 Nov 2025 - 17 May 2026.
23
di
356
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.