“Images are my life. This is my lifetime.”
— Loke Hong Seng
Loke Hong Seng (b. 1943, Singapore) is a pioneering Singaporean street and documentary photographer whose black-and-white images depict the industrialisation and urban transformation of what is now commonly referred to as Singapore’s nation-building era. Viewed from the vantage point of the twenty-first century, these photographs are inevitably steeped in nostalgic sentiment. Yet his wistful tableaux of everyday life in the 1960s and 1970s also reveal broader tensions: kampung and waterborne communities giving way to the abstract contours of the soon-to-be ubiquitous HDB housing estates; fast-disappearing forms of labour, such as bumboat coolies and samsui women, viewed against the backdrop of the island’s evolving urban fabric; and pastoral and agricultural landscapes juxtaposed against scenes of extensive land clearance and construction. Beneath the wistful quality of these social portraits is a young nation in flux, with communities and ways of life caught between one era and the next.
Loke developed his photographic practice while working as a radio broadcaster, producing programmes and dramas in Mandarin and Cantonese. He worked as an announcer with Radio Television Singapore in the 1960s and began photography as a hobby in the mid-1960s. Largely self-taught, he developed his skills through sustained experimentation, encounters with fellow photographers and his involvement with the Photographic Society of Singapore. He also looked beyond the prevailing salon-photography tradition and developed a distinctive approach to photographing life on Singapore's streets.
His early recognition included a Golden Award from the Singapore Photo Art Photography Society in 1973, selection for Photokina in Cologne in 1974, and an exhibition at UNESCO Headquarters in Paris in 1975.
In 2015, as part of Singapore's SG50 celebrations, Yeo Workshop presented Loke's first solo exhibition, featuring photographs made between 1963 and 1985. The exhibition was accompanied by the publication A Social Portrait of Singapore: The Critical Years, bringing together 80 photographs with essays by photography historian Gael Newton, photography writer and curator Zhuang Wubin, and artist and writer Gilles Massot. The project was further extended through a presentation at the UOB Art Gallery at UOB Plaza, in partnership with UOB.
Loke's works are held in the collection of the National Museum of Singapore, as well as in private collections.
