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Quynh Dong

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Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012
Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012
Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012
Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012
Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012
Open a larger version of the following image in a popup: Quynh Dong, My Paradise, 2012

Quynh Dong

My Paradise, 2012
Single-channel video installation
1920 x 1080, 14:32 min
Edition of 5 + 2 AP
Copyright The Artist
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Further images

  • (View a larger image of thumbnail 1 ) Quynh Dong, My Paradise, 2012
  • (View a larger image of thumbnail 2 ) Quynh Dong, My Paradise, 2012
  • (View a larger image of thumbnail 3 ) Quynh Dong, My Paradise, 2012
  • (View a larger image of thumbnail 4 ) Quynh Dong, My Paradise, 2012
  • (View a larger image of thumbnail 5 ) Quynh Dong, My Paradise, 2012
  • (View a larger image of thumbnail 6 ) Quynh Dong, My Paradise, 2012
A sardonic commentary on the yearning for Eden, My Paradise features Quynh Dong’s own parents as protagonists within a dreamlike and kitschy landscape of Vietnamese idealism. She references a myriad...
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A sardonic commentary on the yearning for Eden, My Paradise features Quynh Dong’s own parents as protagonists within a dreamlike and kitschy landscape of Vietnamese idealism. She references a myriad of cultural icons, motifs and settings including oriental-styled maquettes of a teahouse, pavilion and half-moon Chinese bridge made by the artist’s father, to reinforce an overblown nostalgia fed by mythic imagery. Within this childlike digitised tableaux, the couple is seemingly self-absorbed: they tend to a garden of enormous flowers; ride flying horses; and gaze in rapture at a rainbow. Unfolding as five chapters in no apparent chronology, the work is the artist’s reflection on her parents’ journey to the West in search of a better life. Marrying both traditional and pop imagery with a garish sensibility, Dong satirises the construct of ‘The Orient’ through the times.
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Exhibitions

S.E.A. Focus 2022
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