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Brandon Tay
DOOMSCROLL DREAMACHINE, 2025
UV-printed canvas with aluminum finials, painted 3D-printed steel sculpture with volumetric LED fans, 4-channel generative soundtrack
Canvas: 1100 × 2050 mm
Finials: 180 × 230 × 280 mm each
Sculpture: 450 × 770 × 450 mm
Finials: 180 × 230 × 280 mm each
Sculpture: 450 × 770 × 450 mm
Copyright The Artist
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DOOMSCROLL DREAMACHINE reframes Gysin’s flicker device through the compulsions of infinite scroll. Projected feeds entrain vision into flicker-states, turning doomscrolling into altered-state technology. A UV-printed canvas, mounted as scroll with...
DOOMSCROLL DREAMACHINE reframes Gysin’s flicker device through the compulsions of infinite scroll. Projected feeds entrain vision into flicker-states, turning doomscrolling into altered-state technology. A UV-printed canvas, mounted as scroll with aluminum finials, operates as speculative timeline: cut-up and fold-in logics bleeding through broadcast, network, and algorithm until they crystallize as the present entrainment loop. The format recalls the suspended banner, collapsing media archaeology into patterned surface. A soundtrack of pulses and distorted traces of online audio carries the signal further, oscillating between overload and drift. Screen, canvas, and sound align as a ritual protocol—rendering doomscrolling not simply pathology, but an involuntary dream-machine, where text, image, and frequency conspire to rewrite perception.
Mostre
Liste Art Fair Basel 2026, Basel, 15-21 June 2026.FRIEND, National Communication Museum, Melbourne, 01 Nov 2025 - 17 May 2026.
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