Through fable-like and theatrical settings, Maryanto's landscapes are subjected to the whims of colonisers and capitalists through technological development, industrialisation, pollution of the land and exploitation of its natural resources.
Maryanto (b.1977, Indonesia) creates evocative, black and white paintings, drawings, and installations that undermine the romantic language of traditional landscape painting to examine socio-political structures in the physical spaces that he depicts. Through fable-like and theatrical settings, these landscapes are subjected to the whims of colonisers and capitalists through technological development, industrialisation, pollution of the land and exploitation of its natural resources.
Maryanto graduated from the Faculty of Fine Art, Indonesia Institute of the Art, Yogyakarta in 2005, and completed a residency at the Rijksakademie in Amsterdam in 2013. Maryanto has recently presented solo exhibitions at Yeo Workshop, Singapore (2017 and 2015); Art Basel Hong Kong, Discoveries Section (2016); the Rijksakademie van Beeldende Kunsten, Amsterdam; ArtAffairs, Amsterdam; and Heden, Denhaag (2013). He has also recently participated in notable group exhibitions at the Koganei Art Spot Chateau, Tokyo (2018); the Samstag Museum of Art, Adelaide; the Asia Culture Centre, Gwangju; the Bozar Centre for Fine Arts, Brussels (2017); the Singapore Art Museum, Singapore (2015); and the Stedelijk Museum Bureau Amsterdam, Amsterdam (2013). Maryanto has also been featured at international biennials such as the 2nd Industrial Biennale, Labin, Croatia (2018); the Setouchi Triennale, Naoshima, Japan (2016); the Jakarta and Jogja Biennales, Indonesia (2015); and the Moscow Biennale, Moscow, Russia (2013). Maryanto lives and works in Yogyakarta.