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Maryanto

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Open a larger version of the following image in a popup: Maryanto, Bendung Kayangan, 2022
Open a larger version of the following image in a popup: Maryanto, Bendung Kayangan, 2022
Open a larger version of the following image in a popup: Maryanto, Bendung Kayangan, 2022
Open a larger version of the following image in a popup: Maryanto, Bendung Kayangan, 2022
Open a larger version of the following image in a popup: Maryanto, Bendung Kayangan, 2022

Maryanto

Bendung Kayangan, 2022
Scratching acrylic on canvas
150 x 200 cm
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Further images

  • (View a larger image of thumbnail 1 ) Maryanto, Bendung Kayangan, 2022
  • (View a larger image of thumbnail 2 ) Maryanto, Bendung Kayangan, 2022
  • (View a larger image of thumbnail 3 ) Maryanto, Bendung Kayangan, 2022
  • (View a larger image of thumbnail 4 ) Maryanto, Bendung Kayangan, 2022
  • (View a larger image of thumbnail 5 ) Maryanto, Bendung Kayangan, 2022
Scratching/ etching acrylic on canvas. Extremely detailed craft. An artwork showing a spring where indigenous communities depend on for water but also for harvesting plants, leaves and roots as offerings,...
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Scratching/ etching acrylic on canvas. Extremely detailed craft. An artwork showing a spring where indigenous communities depend on for water but also for harvesting plants, leaves and roots as offerings, medicine and traditional rituals. For instance, a traditional ceremony called Belian is performed for the purpose of healing the village, honouring ancestors, and seeking blessings for the environment. A task that is becoming increasingly difficult to assemble as forests are cleared.
A disappearing sight the artist wanted to memorialise since the growth of palm oil industries has led to unrestrained deforestation.
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Exhibitions

Pop up Gillman Barracks 01-24 
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