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Everyday Things: Featuring Maisarah Kamal, and artworks by Fyerool Darma, Sarah Choo Jing, Maryanto, Santi Wangchuan

Past exhibition
1 April - 7 May 2023
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Open a larger version of the following image in a popup: Sarah Choo Jing, Only nearer than half a world apart, 2023
Open a larger version of the following image in a popup: Sarah Choo Jing, Only nearer than half a world apart, 2023
Open a larger version of the following image in a popup: Sarah Choo Jing, Only nearer than half a world apart, 2023
Open a larger version of the following image in a popup: Sarah Choo Jing, Only nearer than half a world apart, 2023
Open a larger version of the following image in a popup: Sarah Choo Jing, Only nearer than half a world apart, 2023

Sarah Choo Jing

Only nearer than half a world apart, 2023
Video Sculpture
63 x 100 x 100 cm
Edition of 5 plus 1 artist's proof
Copyright The Artist
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Further images

  • (View a larger image of thumbnail 1 ) Santi Wangchuan, Color of Life (No.2), 2022
  • (View a larger image of thumbnail 2 ) Santi Wangchuan, Color of Life (No.2), 2022
  • (View a larger image of thumbnail 3 ) Santi Wangchuan, Color of Life (No.2), 2022
  • (View a larger image of thumbnail 4 ) Santi Wangchuan, Color of Life (No.2), 2022
  • (View a larger image of thumbnail 5 ) Santi Wangchuan, Color of Life (No.2), 2022
  • Only nearer than half a world apart
Presented as a seamless loop, ‘Only nearer than half a world apart’ is a digital composite of documented and archival images collected from the early 1920s to present day. Contemporary...
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Presented as a seamless loop, ‘Only nearer than half a world apart’ is a digital composite of documented and archival images collected from the early 1920s to present day. Contemporary spaces filled with fading remnants of the past situates viewers in an intermediary space, halfway between reality and hallucination.


Referencing imagery from early ‘Entertainment’ worlds in Singapore, Choo traced then sutured records of New World, Great World, and Gay/Happy World, creating a moving time-lapse within a shared space. This memory-image presents individuals, from past to present, as unconscious performers in pensive states. A juxtaposition from the grandiosity and spectacle of fairgrounds, familiar characters are grafted in identifiable moments, existing in splices of time and image, document and monument.


Read Full Curatorial Essay: On the other side of the glass: Sarah Choo Jing’s Dancing Without Touching by Dr. Karin G. Oen

Videos on view here

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Exhibitions

Everyday Things, 1 April - 7 May 2023, Yeo Workshop, Singapore
Dancing Without Touching, 7 January - 12 March 2023, Yeo Workshop, Singapore

Literature

Oen, Karin. "On the other side of the glass: Sarah Choo Jing’s Dancing Without Touching", Yeo Workshop, 27 December 2022, https://www.yeoworkshop.com/viewing-room/24-on-the-other-side-of-the-glass-sarah-text-by-dr.-karin-g.-oen/
"Dancing Without Touching rethinks entertainment from 20th-century Singapore." Plural Art Mag, 22 February 2023, https://pluralartmag.com/2023/02/22/dancing-without-touching/?utm_campaign=later-linkinbio-pluralartmag&utm_content=later-33195251&utm_medium=social&utm_source=linkin.bio
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Related artists

  • Fyerool Darma

    Fyerool Darma

  • Sarah Choo Jing

    Sarah Choo Jing

  • Maryanto

    Maryanto

  • Santi Wangchuan

    Santi Wangchuan

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